However, as the above quote demonstrates, hermeneutic archaeology is firmly rooted in idealist epistemologies of philosophy not amenable to any kind of reductionist statement or empirical verification/falsification procedure.Ĭombined, critical and hermeneutic archaeology constitute a large part of what is known as ‘postprocessual’ archaeology in Anglo-American traditions ( see POSTPROCESSUAL ARCHAEOLOGY). It must be pointed out that some readings of this tradition suggest that external and noncultural factors constrain the production of cultural meaning and therefore may result in some broad cross-cultural similarities, a process that scientific archaeologists would call convergent evolution. This statement, of course, betrays a classic idealist stance vis-à-vis culture and history. A prominent example is Hodder and Hutson (2003:4), who, in describing the epistemological foundations of interpretative archaeology, note that cultural behavior is not reducible to broader generalizations because “culture is meaningfully constituted” (i.e., not an independent phenomenon apart from the observer) and “cultural relationships are not caused by anything else outside themselves. While usually denying it, most practitioners of hermeneutic and critical archaeology implicitly rely heavily upon some form of philosophical idealism. It is essential precisely because such language evokes different meanings from different people, a process that enriches the narrative. Ambiguity and imprecision, considered anathema by historicist and scientific archaeologists, are essential components of hermeneutic archaeology. What is meaningful from one perspective is as equally valid as any other perspective. That meaning can be different for different interpreters, and there is no hierarchy of these interpretations. Therefore, an archaeologist working in this tradition who encounters an early Greek theatre, a Southwestern US kiva, or Peruvian sunken court would seek to create a narrative of meaning that is represented in the material record. The ‘texts’ are highly affected by the readers' social, political, and cultural biases for many hermeneutic archaeologists, the context in which the archaeological record is read is as important as data themselves. In this tradition, culture and the archaeological record are ambiguous cultural texts to be ‘read’ – interpreted and reinterpreted – not explained in any scientific sense. Knowledge that reinforces asymmetrical power relations is consciously resisted (or decentered) as an explicit goal. Avidly antipositivistic, knowledge is not cumulative, but constantly reformulated. As hermeneutic practitioners would put it, “culture creates objects and objects create culture” in a recursive and complex relationship not reducible to simple linear propositions. As with critical archaeology, hermeneutic archaeology also rejects any simple or direct relationship between material culture and human behavior. Hermeneutics is defined by the Oxford English Dictionary (OED) as “the art or science of interpretation….” Beginning at least with the philosopher Collingwood (with strong ties to Hegel and Kant), hermeneutic approaches to history and culture generally reject scientific epistemologies.Īs culturally constituted and irreducible, human behavior cannot be explained with reference to external factors such as the environment, technology, and so forth in hermeneutic archaeology. They likewise share a general rejection of scientific determinism or any variant of logical positivism or empiricism. Hermeneutic or interpretative archaeology draws off many of the principles of critical theory, most crucially the assumption that all knowledge is socially constructed. Charles Stanish, in Encyclopedia of Archaeology, 2008 Hermeneutic or interpretative archaeology
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The site's critics consensus reads, " Storm Boy can't quite live up to the original, but this retelling of a beloved story retains enough of its classic source material's heart to remain worth a watch." On Metacritic, the film has a weighted average score of 67 out of 100 based on 7 critics, indicating "generally favorable reviews". On Rotten Tomatoes the film has an approval rating of 68% based on 41 reviews, with an average rating of 6.2/10. The total box-office for Storm Boy was $4.2 million. The film was released in the United States & Territories on 5 April 2019 but only earned $71,000. The major storyline being straight, with several side couples, of which one is gay-THE Thai (pretty much overall) BL couple, IMO. Pretty generic love story, set in a group of uni friends. The film also grossed just over $600,000 in Poland and New Zealand when it was released over 17–19 January 2019. The parent story of the BL dramas 'Together With Me' + sequel. By the end of its theatrical run in Australia, it had earned a total of $3.5 million. Geostorm is a 2017 American science fiction disaster film directed, co-written, and co-produced by Dean Devlin The film stars Gerard Butler, Jim Sturgess. The film was released in 320 theatres in Australia on 17 January 2019 but it grossed only $874,000 (USD) on its opening weekend. Kyuta is eventually thrust into an adventure that spans both worlds. The film opened in theatres in Australia and New Zealand on 17 January 2019, in Poland on 19 January 2019 and in the United States on 5 April 2019. 1080P 720P 480P 360P 240P Theater Mode Full screen (f) 61 My List ENG SUB The Boy and the Beast Bakemono no Ko (2015) 7.7K ViewsKyuta slips into an alternate universe where he is raised by the bear-man, Kumatetsu. The Hudson Hornet used in the filming was supplied by a local South Australian car collector. Storm Boy, an Ambience Entertainment production, was shot along the Coorong and in Adelaide, South Australia in July–August 2017. Bradley Trent Williams as Jasper Davies.David John Clark as Police Senior Constable.Georgina Giessauf as Smirking Schoolgirl #2.Luca Asta Sardelis as Smirking Schoolgirl #1.Thibul Nettle as Police Officer (as Stinga-T).David Gulpilil as The Father of Fingerbone Bill.Trevor Jamieson as Bill "Fingerbone Bill".Geoffrey Rush as Michael "Storm Boy" Kingley.He rescues three orphan pelicans and forms a close bond with them. Thiele's novel was previously adapted in 1976.īased on the book, Storm Boy follows a young boy growing up on a largely uninhabited coastline of Southern Australia. The adaptation was directed by Shawn Seet and stars Geoffrey Rush and Jai Courtney. The two main characters KISS each other.hahaha the most hilarious way to end a super riot movie.Storm Boy is a 2019 Australian drama family film based on the 1964 novella by Colin Thiele of the same name. Stars Merve Bolugur Yusuf Çim Gizem Karaca See production, box office & company info Add to Watchlist 7 User reviews Episodes 6 Top-rated Sat, S1.E5 5. Hahaha Iby the way I was frustrated near the end because I thought it would end on another gang fight but it did not. The story talks about two sisters who are capable of doing everything to destroy each other.Everything will start when both sisters fall in love with the same guy. The guy was supporting the other where in fact they are from different gang the other gang members didn't know that they were lovers! (BL fan here?) hehehe. There are some scenes which made me laugh. When they were arrested and led into the police mobile - they were holding hands. :-) But I love how they end up together though they came from diffenert gang. The BL scene was so wondeful for me though, I was expecting for more exposure between the two of them but it did not happened. Japanese, Japanese Youth Dramas, Teen Movies, Youth Movies, Romantic Movies. It was not even disclosed why they keep on fighting, even the charcter asked himself this question :-0. Downloads only available on ad-free plans. Storm Boy has grown up to be Michael Kingley. Hahaha sorry but this movie was keeps on showing fighting scen. Storyline: Storm Boy (2019) A beautiful and contemporary retelling of Colin Thieles classic Australian tale. This movie is not too emotional, not too romantic, not to funny and not to amazing, I must say. I saw some of the characters somewhere but I guess they were too young in this movie or maybe I was wrong. I usually gave comments by parts but I don't have much to say in this movie. Rewatch Value 7.0 I will not give a usual review that I do in this site. – If you like *culture* and *nightlife, you can fly to **Berlin* in Germany⁶, which is a vibrant and cosmopolitan city with a rich and diverse heritage. You can also explore the Tuscan countryside, taste the famous gelato, and shop for leather goods. Florence is a treasure trove of artistic and architectural masterpieces, such as the Duomo, the Uffizi Gallery, and the Ponte Vecchio. – If you like *art* and *history, you can fly to **Florence* in Italy⁶, which is the birthplace of the Renaissance and a UNESCO World Heritage Site. Annecy is also close to Geneva, Chamonix, and Lyon, if you want to see more of the region. You can admire the stunning scenery, visit the medieval castle, and try some local cheese and wine. 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Let’s ask Bing AI chatbot but don’t forget the “specify.” When we asked, we used this prompt “What cars should I consider buying that are AWD, go 0-60 in less than 6 seconds, seat 6 or more and have decent reviews?” Image courtesy: Bing AI mobileĪnother nice thing about chatting with the Bing AI mobile chatbot is that it enriches its answers with Wikipedia-style references. Microsoft Edge for iPhone or Bing for iPhoneĪfter you log in, if you have early access, you can directly start to use the Bing AI chatbot with the blue button.Microsoft Edge for Android or Bing for Android.To start with Bing AI on iOS and Android, install the Microsoft Edge browser by clicking the appropriate link below. Users must first download and install the related application on their mobile devices to take advantage of Bing AI mobile. We hope to let you in soon □īing AI mobile is now accessible on several devices and software, including iOS, Android, Edge, and Skype. Hi, there! Access is currently being opened in specific regions based on capacity. However, If you do not have access to Bing AI’s chatbot feature before, you must first join the waiting list to use this feature. By integrating this cutting-edge functionality, customers can have a more natural conversation with Microsoft’s AI chatbot and have a more immersive and exciting experience. The newest AI chatbot feature from Microsoft Bing has just been released and is now accessible across devices and operating systems, including iOS, Android, Edge, and Skype. Microsoft’s latest AI effort strengthens the company’s position as the AI industry leader. Microsoft Bing AI vs Google Bard AI vs ChatGPTīing AI mobile features are out: Microsoft still leads the AI race over Google.How to join the Bing AI waitlist on mobile?.Bing AI mobile features are out: Microsoft still leads the AI race over Google. Note: Before you insert the video into the slide, you can add some parameters into the code to make the video play the way you need it to. Insert the code into the From a Video Embed Code field.Go to Insert and click Video → Online Video again. Open your presentation and select the slide.Click on Share, and then choose the Embed icon to generate an HTML code. Go to YouTube and find the desired video.Here’s a brief guide on how to embed YouTube videos in your PowerPoint slides: This method allows you to customize the video’s attributes by using the YouTube API parameters. How to Insert a Video into PowerPoint Using an Embed CodeĪ more advanced way to embed a YouTube video into PowerPoint is to use the embed code. Can’t be done in PowerPoint 2007 and earlierĢ.Requires that viewers have an Internet connection.You can adjust the video size just as with any other slide object.Click on the thumbnail of the video and press Insert.Click on the magnifying glass or press Enter on your keyboard to perform a search. Using this field, you also can search for a video on YouTube directly. Paste the URL into the first address bar of the opened window.Open your presentation and select the slide in which you would like to place the video, go to the Insert tab, and choose Video → Online Video.Go to YouTube and find the video that you would like to embed into your presentation.Starting from version 2010, PowerPoint includes a built-in tool to insert a YouTube video onto a slide. How to Embed a YouTube Video as an Online Video How to add a YouTube video via iSpring Suiteġ.How to insert a YouTube video as a screencast.How to insert a video into PowerPoint using an embed code.How to embed a YouTube video as an online video.Whether you want to use your own footage or “borrow” it from someone else’s channel, here are the four ways to insert a YouTube video into a PowerPoint presentation. This website is chock-full of educational and entertaining videos that can add a dynamic element to your content. This course is in the Video On Demand format, to read about Video On Demand features click here.One sure and simple way to enhance a Microsoft PowerPoint presentation is to add a video from YouTube. Utilize the information provided here and create more dynamic presentations, which are more effective for connecting with your audience and relaying your information. Once you have made these multimedia additions, you can also change and customize slide animations and transitions. This training guides you through the process of adding videos to your presentation you can even customize the playback options on your video clips just like you can with your audio files. You can include video files with PowerPoint 2016 as well, and the videos can come from your own computer, SharePoint, or even YouTube. Inserting audio files into your presentation is a simple task, and you this course gives you the step-by-step directions to do so. Audio files can set the tone for your presentation, and you can even use them to include recorded messages from speakers unable to attend. With audio, you can emphasize key points of information or even prevent an uncomfortable silence when your audience first arrives and is taking their seats. Making these additions is remarkably easy and adds energy and excitement to your presentation. With the additions of audio, video, and custom animation and transitions, it becomes even more useful and powerful. When you want to present information in an interactive and vibrant way, PowerPoint is incredibly useful. Then there's The Inspector General, a fun ride overall and probably Kaye's second best film.īut nothing else from this peerless comic comes close to The Court Jester. Three worth mentioning are the ballet scene near the end of Knock on Wood (perhaps the funniest non-verbal Kaye sequence ever) and a similar (but not quite as hilarious) opera scene in Wonder Man. Some of the other Danny Kaye films I've seen were notable mainly for their intermittent gags. The extras here are nothing special either: just a brief retrospective from film critic Leonard Maltin and a trailer.īut the sparkling video here is only the icing on this absolutely classic film. Even in 1956, multichannel was widely used in premier productions. It's an adequate but unimpressive mono (2.0 but with the same audio on both tracks). The original film elements were also three-strip Technicolorlikely another factor in the Blu-ray's spectacular images. To produce this new Blu-ray release of The Court Jester the original film elements were scanned at 6K, then downconverted to 2K HD for the Blu-ray release. This reduced the primary benefit of VistaVision and, not incidentally, also saved money (running film horizontally through the camera used it up fast). Eventually the process was abandoned (apart from that ongoing use for special effects) when film with a finer grain structure became available. But practical issues kept it from being widely used in the full production chain from the set to the theater screen. The 35mm film was run through the gate horizontally, offering more real estate for each frame than the standard vertical orientation. The VistaVision process was originally designed to reduce the graininess of color film. It was used, for example, in the creation of the effects for some of the early Star Wars and Star Trek films when CGI wasn't yet a thing. It's long-since been dropped as a release format, but was sometimes employed for in-camera special effects created for non-VistaVision productions, particularly in the pre-CGI era. The movie was originally shot in VistaVision, a widescreen process used (mainly by Paramount) in the 1950s and 60s. A spanking new Blu-ray of the film has just been released in a video transfer nothing short of stunning. We passed on it that time around, but that old DVD has now taken its last spin. I had it on DVD, but I knew it looked good enough to satisfy non-critical viewers who likely also wouldn't be bothered by its 1950s mono sound. When fishing around for a film to show on a movie night with friends, before Covid-19 rudely interrupted, I recommended The Court Jester. 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